Abstract

Professional contributions and technical innovations of photographer Roman Freulich to the Hollywood film industry are contextualised regarding the heritage of his life experiences in Czenstochowa, Poland, New York and Los Angeles. The remarkable output of Freulich's independent work, consisting of film projects that ventured far beyond the relative professional shelter provided by his popular glamour shots, emerges in the present study. Freulich sought to give voice to the voiceless as evidenced in his self-produced film Broken Earth (1936) – the first film to feature a black actor in a starring role – as well as his collaborations with the actor Paul Robeson. Freulich's immigration to America and the loss of his family members who remained in Poland are two legacies that distinguished Freulich from his fellow cameramen. Freulich both achieved a fruitful Hollywood career as a photographer of contract players – aided by his early use of the 35 mm camera – and authored a narrative of Joseph Trumpeldor, founder of the Jewish Legion. A survivor of the Holocaust, Freulich did more than preserve these dual identities; his lasting achievement lies in the incorporation of a veteran's sensitivity toward war in cinematic works that expanded early principles of still and moving image photography. Perspective by Freulich's family members is presented in original form, illuminating chronological events in the life of a pioneering photographer, writer and soldier.

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