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Abstract
The article analyzes the main approaches to the study of the phenomenon of play, highlighting the key research positions on the way to identify the essence of this phenomenon. In most studies, the phenomenon of play is considered as a cultural universal and the main source of human cultural activity. In this regard, the main aim of this article is to consider the phenomenon of play as a necessary component of musical art, highlighting the importance of play logic in musical and stage genres. Consequently, the triad of the concepts of play – composition – motor ability, forms a single conceptual field, which contributes to the identification of the features of the ways of formation of music. Moreover, in this triad, it is the third component – motor ability – that appears as the first manifestation of the play purpose of the artistic form, which in turn is a manifestation of the inner drama and psychological subtext of the composition, which correlates it with stage and theatrical action, the phenomenon of theatricality, which acquires special relevance in musical art in general, and opera forms in particular.
Highlights
The relevance of the chosen research direction is explained by the fact that the problem of play and the play basis of human activity can be considered as one of the most complex and requiring in-depth study, which can be confirmed by numerous references to this subject area by researchers of various specializations – psychologists, linguists, art historians, musicologists, culturologists
The main aim of this article is to consider the phenomenon of play as a necessary component of musical art, highlighting the importance of play logic in musical and stage genres
Creative individuality in the process of an artistic act realizes in its activity antinomic attitudes of the phenomenon of play, which can be designated as "conditional – unconditional"
Summary
The relevance of the chosen research direction is explained by the fact that the problem of play and the play basis of human activity can be considered as one of the most complex and requiring in-depth study, which can be confirmed by numerous references to this subject area by researchers of various specializations – psychologists, linguists, art historians, musicologists, culturologists. Psychological, aesthetic and art studies research traditions of the XIX-XX centuries, the problem of the play is considered on the pages of works by I. All researchers agreed that play is one of the most common phenomena in human society and that it determines the processes that occur in human culture. In this regard, the main aim of this article is to consider the phenomenon of play as a necessary component of musical art, highlighting the importance of play logic in musical and stage genres. The research methodology is based on the combination of musicological, historical, psychological, philosophical, culturological approaches that create a single discursive field of our research
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