Abstract
Without a prior analysis of the music itself there could be no true description of musical experience. In fact, the key to the comprehension of this experience is provided by the simultaneous consideration and intimate connection of the concrete aspect of music (i.e., its tonal events and relationships) with the delineation of its perceived affective meaning. Phenomenally objective tonal events include individual tones, intervals, motives, melodies, chords and their progressions, metrical and rhythmic schemes, and syntactical relationships. Phenomenally subjective factors consist of states of consciousness evoked by the tonal events as they give rise to affective meaning. Phenomenological description consequently shifts the emphasis from the experiential to the linguistic level. This description of musical experience is given in phenomenological rather than musical terms.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.