Abstract

The article is devoted to identifying and describing the phantasmic dimension of the culture wars, in particular the phantasmic dimension of one side of this confrontation—social conservatism. The notion of “phantasm” is used on the basis of the Lacanian tradition of social and political theory. A phantasm is understood as stereotypical, repetitive images or visions that structure the position of “culture warriors” and are the foundation on which other levels (rational, legal, etc.) are superimposed. Conservative phantasms are actualized at the moment when society undergoes a process of radical transformation, which breaks the usual systems of differentiation; it is this process that triggers culture wars. Empirical material to illustrate these ideas is the case of Russian social conservatism.

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