Abstract

Modernist plays in the early twentieth century often resisted the theatre. Many circulated in print, in ‘little magazines’ dedicated to literature and the arts. Using Wyndham Lewis’s ‘Enemy of the Stars’ (1914) as a case study, this article considers what the medium of the little magazine offered modernist playwrights. The article first engages with some of Lewis’s earlier periodical publications and his interest in contemporary crowd theory, to trace how his attitude towards performance and the masses developed. Comparing the periodical publication of Lewis’s experimental play to a 1932 revision in book form then reveals that it is precisely the magazine’s dramatic potential that allowed Lewis to stage a closet play to be read by the individual, instead of watched by the masses that he despised. This article thereby argues for an understanding of the modernist periodical as a highly performative medium, and acknowledges its vital role in shaping modernist aesthetics.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.