Abstract
The article discusses the book “Lev Oborin” by S. Khentova, which is of particular interest in connection with the 150th anniversary of K. Igumnov, whose school Oborin belongs to. The article touches upon the formation of Oborin as a pianist, characterises the teaching methods of his teachers, which have not lost their relevance to this day. The article also considers Oborin’s interpretation of the works of Beethoven, Tchaikovsky, Prokofi ev from the standpoint of modern perception. The value of the pianist’s performing heritage and his role in the development of Russian piano art are noted.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
