Abstract

Metelli's theory of the perception of translucency models the effective reflectance of a translucent sheet on a background as a partitive mixture of the color of the sheet and the color of the background. In the achromatic case, the usable (that is, scale‐invariant) rules governing the apparent reflectances are the same as those that would emerge from the Kubelka‐Munk theory. For chromatic translucency, the relationships are more complex, but a set of rules still emerge from the partitive‐mixture theory that are invariant to tradeoffs between illuminant and reflectances. This column sets forth the rules in the hopes that they will have graphical applications, both on computer VDUs and in hardcopy.

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