Abstract
Previous research demonstrated, by means of a reaction time technique, that there is no difference between the perceptual onset asynchronies (POAs) of nonalternating tone sequences and of frequency-alternating tone sequences, even if the latter are streaming. This finding implies that listeners are capable of extracting the tempo of the total alternating sequence, even though successive tones belong to different streams. The present study investigated whether subjects are also capable of establishing the tempo of one stream. To this end, listeners were required to match the rate of one stream by adjusting the rate of a nonalternating comparison stream (a pulse sequence). In addition, they were required to match the total rate of the streaming sequence. It turned out that the total tempo could be matched precisely and that the tempo of one stream could be approximated very closely.
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