The Patriotic Pinch Hitter: The AAGBL and How the American Woman Earned a Permanent Spot on the Roster

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During World War II, that lovely, patriotic stepped up to bat, entering workforce so her boyfriend, Charlie, could take it for team by going to war. Once she saw her MVP rounding third, Rosie happily slid into her warm, safe home, gratified by a job well done. However, contrary to popular belief, Rosie was no mere hitter. Throughout 1940s American woman was capable of being more than a temporary hire. She was a professional musician, a war correspondent, and a member of United States Congress as well as a professional baseball player. The All-American Girls' Baseball League (AAGBL) began as wartime entertainment; however, it would last nine years after World War II with its effects still reverberating today. The image of Rosie Riveter must be recognized for what it was--propaganda to fill labor shortages during war. Rosie Riveter did not reflect experiences of every American woman. For example, African American and working-class women never had luxury of being temporary hires. The female wartime labor boom empowered American woman by expanding public acceptance of her presence in traditionally male dominated occupations, such as professional baseball. However, idea of pinch hitter enabled scholars to normalize idea that women's wartime accomplishments were temporary. (1) Some scholars of earlier feminist literature have gone as far as to say that women received little, if any, long-term benefits from their accomplishments in wartime America. For feminist scholar Elaine Tyler May, Americans believed wholeheartedly that men should rule roost. (2) Regardless of cultural norms many wartime and postwar women worked and played outside of their traditional gender roles, achieving success in professional fields of occupation. By autumn 1942 many minor baseball leagues had closed down due to lack of wartime manpower. By 1943 only eleven leagues were operating, a thirty-one-team drop-off from two seasons earlier. It appeared that by 1944, Major League baseball might have to close its own ballpark gates. (3) Diamond stars, such as Joe DiMaggio, were putting on military uniforms. Even if government did not shut down professional baseball, team owners became concerned that player quality would suffer and fans would lose interest. (4) In late 1942 Philip K. Wrigley, owner of Chicago Cubs, tapped Ken Sells, assistant to general manager of club, to head up a task force to brainstorm on issue. After exploring several options committee recommended a professional league with female players. Softball was as popular as baseball at time. (5) However, it cannot be ignored that was a game dominated by women and that women were one of few sectors of American population, aside from children, disabled, and elderly, who were guaranteed exemption from draft. Sells's commission led to founding of AAGBL in 1943; however, league began its auspicious history as All-American Girls' Softball League (AAGSL). (6) And a girls' league it would be, as all of players ranged in age from their teens to their twenties. (7) However, a few were married and held professional careers as well as being mothers. It should be noted that these players took no offense at moniker girl. Today, in a post-NOW (National Organization for Women) era, these women still refer to themselves and their former teammates as the girls. A professional organized athletic league had never been successfully attempted with women to this point, so Wrigley called on support and expertise of fellow Major League Baseball executives. Ken Sells was named president of league. (8) Wrigley also called on Cubs attorney Paul V. Harper and Brooklyn Dodgers general manager Branch Rickey to become league's first trustees. When league was officially announced, Wrigley claimed that it was time for softball to take its proper place among American girls and women as one of country's major sports. …

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"The Female Appendage": Feminine Life-Styles in America, 1820-1860
  • Jun 1, 1971
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  • Ronald W Hogeland

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  • Cynthia Boyd

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Historical research throughout Borrowing from Our Foremothers: Reexamining the Women's Movement through Material Culture, 1848–2017 is thorough and impressive, but the book is also strengthened by 99 oral histories that Forss conducted with such accomplished individuals as Ellen Broidy (gay rights activist and co-organizer of the first gay pride parade), Rosalynn Carter (former First Lady of the United States and an Equal Rights Amendment supporter and author), E. Faye Williams (lawyer, civic leader, and named one of the hundred most influential Black Americans by Ebony magazine), and Frances “Poppy” Northcutt (a NASA Apollo 8 engineer). 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In her time, Paul organized parades and pickets addressing and supporting women's suffrage, including a parade of over 8,000 women participants who marched with banners down Pennsylvania Avenue from the Capitol to the White House on March 3, 1913, just one day before President Woodrow Wilson's inauguration.Though Paul eventually broke away from the NAWSA, she continued her efforts for women's rights by forming the National Woman's Party and authoring the Equal Rights Amendment (ERA). Paul marked the milestone of each state that approved the ERA with an enamel-state-shaped charm. Attaching each charm to a bracelet, Paul filled many bracelets that reveal a remarkable story and “an intriguing angle of historical contemplation” (p. 2), even though the ERA fell three states short of constitutional passage in 1982.Forss documents the captivating story of 30 unifying artifacts “pertaining to foremothers of diverse race, ethnicity, class, sexual orientation, and gender identity” (p. 2). Of interest to many is the author's solid research on Black suffragists, who formed their own organization, the National Federation of Afro-American Women, out of extreme frustration with white suffrage organizational marginalization and disgust at newspaper editorials describing Black women as “thieves and lying prostitutes” (pp. 65–6). Sojourner Truth's carte de visite conveys to readers the essential role of African American women within the movement, and Marian Anderson's evening gown worn for a special concert helps readers understand how history defines an artifact, and in this case, the wearer of that artifact.Much controversy arose around contralto Anderson and her soon-to-be landmark, open-air performance at the Lincoln Memorial on April 9, 1939, when she entertained 75,000 people and many listeners via radio. Incredibly, a day or two ahead of the concert, Anderson had failed to reserve a hotel room in segregated Washington, DC. This spurred Gifford Pinchot, Theodore Roosevelt's former US Forest Service Chief—whom Forss misidentifies as a “former National Park Service Chief”—to offer his home to Anderson, her mother, and her sisters (p. 70). Deliberately performing specific music “during an event tinged with racism” (p. 71), Anderson became a symbol of the Black community, and her dress, in and of itself, also became part of the singer's iconic status within that community and the women's movement for all women.Forss engages readers with the immersive history and provenance of many contemporary artifacts—such as the Radical Lesbian “Lavender Menace” T-shirt, Reverend Pauli Murray's sculpted hand, Billie Jean King's tennis dress, and, most recently, the Pussyhat Project Manifesto—whose tangible and intangible histories represent the inclusivity of the women's movement well into the late twentieth and early twenty-first centuries. Forss also provides insightful commentary on iconic items indicative of LGBTQ+ feminists, which demonstrates the author's skill as both scholar and storyteller.Scholars, researchers, and students of women's history, folklore, and material culture will not be disappointed by Forss’ inclusion of photographs for artifacts discussed, a helpful “cast of foremothers,” an appendix featuring speeches (particularly by Sojourner Truth), as well as extensive notes, a bibliography, and an index.There are few scholarly works that so profusely and precisely discuss the interconnection of artifacts surrounding the American women's movement as Forss does in Borrowing from Our Foremothers.

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Constructing womanhood in public: progressive white women in a New South
  • Apr 18, 2002
  • Mary Smith

During the Progressive Era, southern white women were aggressively recruited by the leadership of the Woman's Christian Temperance Union, the General Federation of Women's Clubs and the National American Woman Suffrage Association. Each believed the inclusion of southern white women vital to its success as a national association of American women; consequently, by the beginning of the twentieth century, southern white women had achieved positions of leadership in each organization. This dissertation analyzes, primarily through the public statements of the leaders of these groups, how these women defined themselves as women, as white, and as southern vis a vis their region and their national associations. As members of national organizations, southern white women used national networks of propaganda--newspapers, speaking tours, convention meetings--to outline publicly their visions of the proper role of middle class southern white women in a New South. Southern white members of the WCTU and the GFWC used the rhetoric of domesticity to publicly construct a vision of useful, if not enfranchised, citizenship based on their traditional duties as women--mothers, wives, home keepers. However, members of the NAWSA argued for fully enfranchised citizenship based on their status as educated middle class white women who, they believed, should share an equal responsibility, along with white men, in governing a New South order. Members of each association used a racialize rhetoric to publicly outline their vision of proper race relations in the post-emancipation South. White WCTU leaders argued that freed blacks needed the social control of prohibition to be productive members of southern society. Southern white club women argued that the GFWC needed to protect the prerogatives of southern whiteness by excluding black club women from the national organization. And southern white suffragists used the language of white supremacy to argue the necessity of granting white women the vote. During the Progressive Era, membership in national women's organizations gave southern white women an unprecedented opportunity for regional and national activism. They used these opportunities to argue the necessity for their voice as an integral part of a New South.

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Men in the American Women's Rights Movement, 1830–1890: Cumbersome Allies Edited by HélèneQuanquin, London: Routledge, 2021, p. 204, ISBN 9780367630096.
  • Feb 2, 2023
  • Gender & History
  • Chenchen Wang

The American women's rights movement has generally been regarded as being designed for and by women, but in fact men have committed to feminism since the emergence of the idea of women's rights. In her ambitious monograph, Men in the American Women's Rights Movement, 1830–1890: Cumbersome Allies, Hélène Quanquin re-evaluates the evolution of male activism in the American women's rights movement of the nineteenth century through the lens of the personal and political lives of nine male activists from the 1830s to the 1890s. Considering feminist activism to be heterogeneous, the author argues that male activists had a continuous influence upon American feminist discourse throughout the nineteenth century, but they were also ‘cumbersome’, for instance, when they used their position as self-styled disinterested actors to patronize women and control the movement's agenda (p. 158). With the examination of the combination of personal and public sphere, Quanquin reveals the complex roles of the male activists in the American women's rights movement, thus analysing the complexities of the nineteenth-century social justice coalition and engaged allyship. Based on a corpus of family archives, Quanquin investigates how the male activists made their choices, how they articulated their defence of women's rights with their personal lives, and how their personal life and political engagement intersected on a daily basis. She concludes that the activism was the result of private and public conversations about women's rights and gender relations within and outside the movement, contradicting the traditional vision of a strict separation of spheres in the nineteenth century (p. 4). Another important aspect of this book is the way race, gender and class issues intersected among female and male activists and within reform (p. 4). The nineteenth-century women's rights movement is known to be closely related to anti-slavery and other reforms. Here, Quanquin challenges traditional perspectives to consider anti-slavery as the centre to examine its influence upon the women's rights movement. By exploring biographies, memoirs and other archives, she articulates multifarious links between abolitionism and the women's rights movement as well as the intricacies of social justice coalitions. Following a chronological outline, the book is composed of five chapters, with two male figures in each chapter. In the introduction, Quanquin starts with a discussion of Thomas Wentworth Higginson's claim of men's ‘feebler voices’ at the 1887 annual meeting of the American Woman Suffrage Association and gives an academic review on ally activism of male participants in the women's rights movement. Chapter one focuses on William Lloyd Garrison and Wendell Phillips who defended women's rights at the first World's Anti-Slavery Convention in London in the year of 1840. The second chapter is devoted to the Seneca Falls convention in 1848, which claimed publicly for woman suffrage for the first time. Frederick Douglass and James Mott were important participants at this convention. With an analysis of their views towards marriage and masculinity, Quanquin points out the challenges these ‘reliable partners’ encountered and argues that the male counterparts did not always cooperate, especially on the ideological foundation of feminism at this stage. The third chapter investigates the controversial issue of marriage arising in the 1850s by exploring the marriages of Henry B. Blackwell and Stephen S. Foster. Both had failed business ventures and more famous feminist wives. With an analysis of their roles as husband and male activist, Quanquin stresses the crucial role personal relationships play in the construction of men's allyship. Chapter four turns to the meetings in the Reconstruction. Focusing on the positions of Robert Purvis and Henry Ward Beecher, this chapter presents the complexity of the feminist discourse between race and gender after the Civil War. The final chapter expounds upon the eviction of male activists in the late nineteenth century by portraying the positions of Thomas Wentworth Higginson and Frederick Douglass in the last decades of nineteenth century in relation to their remarriage experiences. As an expert on the history of American feminism, Quanquin systematically investigates the development of the American women's rights movement in the nineteenth century through the actions and discourses of its male activists. The book clearly shows the mutual influence of personal ideals and collective actions in men's activism, and underlines the problematic relationship between allyship and ‘others’ in the movement. It provides new perspectives to evaluate the nineteenth-century reformers’ activism and contributes to an intellectual genealogy of the American women's rights movement. This groundbreaking book will be essential reading for students, scholars and researchers in the fields of gender history, women's history, gender studies and American history. This book review is supported by National Social Science Foundation of China (19CWW022).

  • Research Article
  • 10.1353/cwh.1978.0011
Clara Barton, Soldier or Pacifist?
  • Jun 1, 1978
  • Civil War History
  • Ellen Langenheim Henle

CLARA BARTON, SOLDIER OR PACIFIST? Ellen Langenheim Henle The idea that women can be soldiers touches a sensitive nerve among the American people. A recent editorial in The Washington Post, "Why Should Girls Have To Play With Guns Too?," evoked so many letters from readers that an entire page in a subsequent issue was devoted to the debate on women's future role in the American Military. The actual role of American women in the armed services has increased substantially in the last decade and the day for debating a "proper" role for women may have passed. West Point, Annapolis, and the Air Force Academy now admit women. Female Marines are being trained for combat despite legal prohibitions against using women in actual combat. And the Army Chief of Staff advocates drafting women if the draft is restored.1 American women have participated in wars from the earliest days. They served with regiments in the French and Indian War—as laundresses, seamstresses, and cooks. There have been campfollowers in all wars: prostitutes from Philadelphia even journeyed out to Valley Forge during the American Revolution to warm things up a bit for the frozen soldiers there. Thousands of women served as nurses in hospitals during the Civil War. In this century, American women have worked in munitions industries, flown transport planes for the military, and gone directly to the front as Red Cross nurses.2 1 See The Washington Post, Aug. 20, 1977. See also "Women in Combat; A Matter of Rights?," ibid., Feb. 14, 1977 and "Female Marines Get Training in Field Tactics at Quantico," ibid., April 7, 1977. Preliminary versions of this paper were given at the Office of Military History, Washington, D.C., March, 1977 and at a Conference on the History of Women, College of St. Catharine, St. Paul, Minnesota, October, 1977. 2 See Walter H. Blumenthal, Women Campfollowers of the American Revolution (Philadelphia, 1952) for an interesting account of women in this war. There are several good secondary sources on women in the Civil War: Mary E. Massey, Bonnet Brigades (New York, 1966); and Agathe Young, Women and the Crisis: Women of the North in the Civil War (New York, 1959). Good primary published material on women in the Civil War include Frank Moore, Women of the War (Hartford, 1866) and Linus P. Brockett and Mary Vaughan, Woman's Work in the Civil War (Rochester, 1867). See Portia Kemodle, The Red Cross Nurse in Action 1882-1948 (New York, 1949) for information on wartime nursing since the Civil War. There is a real need for a good comprehensive history of women's varied roles in twentieth-century wars. 152 Historians have done little to shed light on women's roles in war. This is partly because women's history was considered unimportant by many professional historians until the last decade. Many of those currently doing research in the field of women's history have a pacifist bias which affects their choice of subject matter. In a session on women and war at a recent professional meeting, all three papers were devoted to female pacifists. The historians giving the presentations expressed their concern at "the increasing role of women in the United States armed forces." They were also bothered by the fact that "some of them [women] were demanding combat training and assignments."3 The life and writings of one American woman who was actively involved in three major wars of the nineteenth century may illumine the history of women and war and contribute new perspectives to the modern debate on women's future role in the military. Clara Barton was a Civil War heroine, founder of the American National Red Cross in 1881, and its first president for over twenty years. Miss Barton, born in 1821 in Oxford, Massachusetts, participated in the Civil War as a battlefield nurse and as a onewoman relief worker bringing needed medical supplies and food to the front lines in her army wagons. In the Franco-Prussian War, she followed the German troops into Strasbourg after a monthlong seige and stayed there for six months organizing a relief program for poor women in the city. In the Spanish-American War in...

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