Abstract
The purpose of this investigation is to analyse the Violin Concerto, Op. 47 by Jean Sibelius within the context of the composer’s symphony legacy as a whole. Among lots of historical connotations, it was the late romantic symphony conception of Anton Bruckner and J. S. Bach’s polyphony that were pointed out as factors that most infl uenced the conception and structure of Sibelius’s work. The violin concertos by J. Sibelius and D. Shostakovich were put together to trace the prospects for the development of the genre from the beginning to the middle of the 20th century.
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