Abstract
The parameters of co-creation: a performing look at “The Six Romances for the Words by A. S. Pushkin” by G. Sviridov
Highlights
IntroductionThe development of the concept of “co-creation” is proposed as the necessary condition for the interaction of subjects in the system: the composer – the poet – the performer-singer
The triple reflection I=I=I is captured in the structure of the artwork
Its result is the content of the category “the author’s concept”; this is an important parameter of the artist’s “entry” into the composer’s text, which is relevant for the analysis of a vocal composition
Summary
The development of the concept of “co-creation” is proposed as the necessary condition for the interaction of subjects in the system: the composer – the poet – the performer-singer. It is necessary to use the epistolary part of “Sviridov-logy”: the memoirs of the singers about the composer directly indicate the phenomenon of “community” as the evidence of their spiritual kinship. The knowledge of this actualizes the work by G. The parameters of co-creation as the necessary condition for the interaction of subjects in the system of “the composer – the poet – the performer-singer” are divided into the internal and external ones. The main thing for the composer is the voice, which means the vocal
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