Abstract

The Treaty Ports established by the Unequal Treaties in the middle of the 19th century were crucial spaces of interaction between Japan and the West. For a long time, they were the only places were foreigners were allowed to permanently reside in Japan. While the interior of the nation might be visited by Western travelers and globetrotters, the primary contacts, commercial as well as social and cultural, took place in the environment of the Treaty Ports, where the vast majority of foreigners resided and visited. Because of this exclusive role, the ports played a critical venue for the creation and formation of images of Japan, as well as their transmission abroad. This article focuses at the image of Japan generated in these Treaty Ports in the immediate aftermath of the Meiji Restoration. It will look at how the restoration and subsequent Japanese policies of modernization were perceived by the foreign communities in East Asia and how it was presented in the foreign language press in the Treaty Ports. This will be undertaken by the study of two of the most important foreign language newspapers of East Asia at the time, the North China Herald, published in Shanghai from 1850 to 1951, and the Japan Weekly Mail, published in Yokohama from 1870 to 1917. Both were amongst the largest and most influential newspapers in their respective communities, but also further abroad, and their pages reflect the understanding these communities had of Japan at the time. Furthermore, their comparison enables us to look at the creation of images, within the wider Treaty Port network of East Asia, and analyze how it differed or remained similar across the China Sea.

Highlights

  • They had the luxury of arguing from the standpoint of the strong, and they did, criticizing the Yokosuka arsenal which was under construction from 1866 as “one of the most wanton and pernicious [ideas] ever put into the mind of a nation in such an early step of its progress” (Japan Weekly Mail, 8.10.1870)

  • General conclusion The Meiji Restoration was a watershed in the formation of an image of Japan within the Treaty Ports, as it was and the years in its immediate aftermath, that we see the image of a modern Japan emerging

  • Within the first weeks and months of 1868, it was accepted by the Treaty Port Press in Japan that a ‘new Japan’ had emerged, which espoused policies and ideas different from its predecessor and was remarkably open towards Western civilisation and its benefits

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Summary

Previously published issues

ISSUE 1 – Between Texts and Images: Mutual Images of Japan and Europe ISSUE 2 – Japanese Pop Cultures in Europe Today: Economic Challenges, Mediated Notions, Future Opportunities ISSUE 3 – Visuality and Fictionality of Japan and Europe in a Cross-Cultural Framework ISSUE 4 – Japan and Asia: Representations of Selfness and Otherness ISSUE 5 – Politics, arts and pop culture of Japan in local and global contexts. Mutual Images is registered under the ISSN 2496-1868. As an Open Access Journal, Mutual Images provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.

DISCLAIMER ABOUT THE USE OF IMAGES IN OUR JOURNAL
ANDREAS EICHLETER
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