Abstract
One of the commonly propagated and accepted myths in 19th century theatre history relates to the origin of the box set. The impulse to name Madame Vestris and the first production of Dion Boucicault's London Assurance originates from broadly disseminated misinformation. Two contemporary American theatre historians have written extensively and with seeming authority on the origins of the box set: John H. McDowell and Orville K. Larson. McDowell in his article, “Historical Development of the Box Set,” established the basis for the wide acceptance of the Madame Vestris myth and is commonly quoted in support of that argument.
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