The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. Formulation of the problem

S Angelovskaya

doi:10.34064/khnum2-49.06

Abstract

The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. Formulation of the problem

Highlights

The revival of spiritual culture on the verge of centuries, interest and respect for the traditions and ceremonies of the Orthodox Church, the rapid spread among the regents of the works of spiritual themes - all this led to the emergence of the style direction called nova musica sacra
The purpose of the article is to detect the identity of modern church music of young Ukrainian composers, whose works are becoming more popular in the choral performance of secular and spiritual collectives
That been found on the material of the chants of the cycle "All-night vigil" (2007-2015)

Summary

Introduction

The originality of the modern Ukrainian church oeuvre: on an example of the chants «All-night Vigil» Olena Yunek. A detailed analysis of the harmonic sequences, the change of texture and the course of melodic lines made it possible to identify certain features of the composer's individual style and the methods of writing that he uses to create church compositions. All the inventions and means of expressiveness that were invented during the analysis show that the work of the contemporary composer of Kharkov, Olena Yunek, is an example of an original author's reading of the canon in the field of church music.

Objectives

Results

Conclusion