The opera “Siberia” by U. Giordano in the context of the composer’s creative work

Tszitao Lyan

doi:10.34064/khnum1-52.05

Abstract

The opera “Siberia” by U. Giordano in the context of the composer’s creative work

Highlights

Despite the fact that the composer is considered a bright representative of verismo, not all his operas belong to this direction
Giordano departs from the traditions of verismo and aims his search for the comedy genre («La cena delle beffe», «Dinner with Jokes»), the genre of opera novels («The King»)
The purpose of the study is to identify the role of the opera «Siberia» in the context of creativity by U

Summary

Introduction

Цель исследования – выявить роль оперы «Сибирь» в контексте творчества У. Отдельной задачей является проведение некоторых параллелей с образцами итальянской оперы для определения места данного произведения в развитии итальянского оперного театра XIX–XX вв. Представлен анализ основных сцен оперы «Сибирь» с участием главных героев – Стафани и Василия. Giordano in the context of the composer’s creative work. The creative work of the bright representative of the Italian opera U. Despite the fact that the composer is considered a bright representative of verismo, not all his operas belong to this direction. Giordano departs from the traditions of verismo and aims his search for the comedy genre («La cena delle beffe», «Dinner with Jokes»), the genre of opera novels («The King»). The purpose of the study is to identify the role of the opera «Siberia» in the context of creativity by U.

Objectives

Conclusion