The Once and Future Herod: Vernacular Typology and the Unfolding of Middle English Cycle Drama

Abstract

From the writings of early Church Fathers through the twelfth century, Herod the Great was considered an exemplar of arrogance as madness, a role that is expanded in the English cycle plays of the fourteenth through sixteenth centuries. In the York, Chester, N-Town, Towneley, and Coventry plays, Herod’s keen historical foresight betrays his awareness of the unfolding of Christian eschatology. The predetermined failure of his own actions to prevent the ascendancy of Christ suggest the impotence of a non-Christian future. Herod’s performances align deviance with knowledge, reaffirming faith and humility as the governing ethics of Christian epistemology. As a medium through which playwrights develop a kind of vernacular typology, the dramatic Herod testifies to the vitality of cycle drama within the landscape of fifteenth-century vernacular theology in England.