Abstract
When sometime early December 2020, my wife, an Assistant Chief Legal Aid Officer with the Legal Aid Council of Nigeria persuaded me to see the Nigerian movie titled “Oloture” produced by EbonyLife Films, I was disappointed at the anti-climax since the villains were neither apprehended nor brought to criminal justice. At the time, little did we both know that, there may be real time legal issues to the movie even at the time of filming, if the claims and counterclaims of copyright infringement flying around are anything to go by.
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