Abstract

This paper aims to gather all information about the diptych of Mater Dolorosa and Christ Crowned with Thorns, which until 2023 stayed in the Provincial Museum of Pontevedra (Museo Provincial de Pontevedra) in Spain. The research addresses two aspects of the diptych: the controversy of its attribution to a circle of Albrecht Bouts or his follower and the diptych’s arrival at the Provincial Museum of Pontevedra. This study explains that this diptych’s former attributions cannot be supported due to his style and the new research about Bout’s workshop practices. Finally, it gathers all the documentary sources about its arrival at the Pontevedra Museum.

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