Abstract
Until very recently the Merchant's Tale has been the least controversial of all the Canterbury Tales. Several generations of critics have been united in scandalized astonishment over the un-Chaucerian qualities of the tale. Tatlock expressed the prevailing view in these often quoted words: “For unrelieved acidity the Merchant's Tale is approached nowhere in Chaucer's works. … Without a trace of warm-hearted tolerance or genial humor, expansive realism or even broadly smiling animalism, it is ruled by concentrated intelligence and unpitying analysis.” A generation earlier Kittredge had called the tale a “frenzy of contempt and hatred,” and a generation later Hugh Holman brought together all the old terms, “savagely obscene, angrily embittered, pessimistic, and unsmiling,” and contributed his own “dark cynicism.”
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