The New Atlantis: Francis Bacon's Theological-Political Utopia?

Abstract

In his seminal 1968 study of Francis Bacon's political thought, Howard B. White argued that the New Atlantis is “a rewriting of a Platonic myth, and a rewriting clearly intended as a refutation.” Bacon's attack on Plato, however, is partially mediated through his critique of Christianity. Indeed, Bacon pays more explicit attention to the tropes and themes of revealed religion than he does to those of the story of the “old” Atlantis told in Plato's Timaeus and Critias. Scholars are divided as to the exact nature of Bacon's intentions in his treatment of religion in the New Atlantis. Richard Tuck suggests that “the desire for a reconstructed religion” is “explicit in the blend of Protestantism and Judaism” created by Bacon. Most scholars, however, unlike Tuck, argue that Bacon was more interested in undermining religion—or more specifically, its political authority—than in reconstructing it. Laurence Lampert's argument that Bacon stands at the head of “the actual holy war fought in Europe . . ., the warfare of science against religion that tamed sovereign religion” typifies much of the scholarly commentary on the New Atlantis since White's reading of it almost forty years ago. The consensus view is that Bacon promotes the politic manipulation of the tropes and themes of revealed religion so that they might be made to support the modern scientific project and the cause of peace from religious strife: “Bacon's lifelong concern for religion uniformly expressed itself in arguments for moderation in religion.” White argues that Bacon demonstrates how “religious turmoil” can be countered “not only by religious toleration, but also by religious eclecticism, amounting to religious universality.”