Abstract

Pre-adolescent kids love stories and do not accept deviations or interruptions in the narrative line. They are connected to "life" and immediately condemn the lack of sincerity. The very young audience is different from an adult or teenage audience. It must be understood and educated. "Children are the future" is not a cliché but a reality. If the psychological mechanisms and springs that make them work are analysed and used intelligently in a show with a complex universe, theatre can create a leap in consciousness for new generations. Building techniques must be developed and improved in such a way that the performing arts regain their vital role in the rebirth of a nation.

Full Text
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