Abstract
Modern scholarship on the early modern European anatomy theater has long argued that public dissections were theatrical, carnivalesque affairs characterized by viewers' fascination with the material exposure of the dissected body. This essay builds from the recent work on early modern public dissections to argue against such monolithic presentations of the early modern anatomy. To this end, the essay examines three principal source materials connected with public dissections in early modern London to more specifically argue that public dissections in sixteenth- and seventeenth-century London were solemn events focused on promoting the status of London's barber-surgeons' guild, the Royal College of Physicians, and the education and knowledge of their respective members. In this regard, the essay further suggests that there was no single, dominant perception of dissection and anatomy at the time, but that dissection was utilized as a tool for different individual, occupational, and institutional purposes.
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