Abstract
This article discusses three aesthetics which go against the understanding of “the natural” as the default setting of life and being: baroque, punk and camp celebrate the artificiality and made-upness of man-made worlds. Reflecting on autobiographical encounters with these styles, and using a Lacanian frame of analysis, the author discusses what makes these styles appealing to some and horrific to others, and what they effectuate in the lives of their aficionados.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have