The National Revolution Architecture: Rooted Modernism in the Spanish New State (1939–1959)

Abstract

Francoism was the product of the sum of all the heterogeneous forces of anti-liberal right, from the most radical fascists to Christian traditionalists even further to the conservative right than the Monarchists and the Carlists, and as a result their architectural response to the problem of rebuilding Spanish society following the Civil war could not be unitary either. Each school of thought, each situation to be solved, and each architect generated a different solution, and as a result we find a wide variety of architectural works in Francoist Spain. Rather than revisit the topics studied in multiple works since the seventies, this article will focus the research on typologies that have hardly received any attention, namely constructions of marked ideological and propagandistic character, such as the monolithic monuments dedicated to the Fallen, the reconstructions of ‘mythological’ places for the discourse of the first Francoism, and the production of monumental civic buildings, such as the Universities of Labor. The core issue to be resolved is whether some cultural discourses under Francoism constructed the new regime as pioneering a modernizing national revolution, rather than installing a reactionary counterrevolution, and whether the architectural works that resulted in fact present outstanding elements of modernity that had nothing to envy, in their physical scale, radicalism of design, and futural temporality, those of National Socialist Germany or Mussolini’s Italy. Such a kinship suggests that many buildings of right wing regimes, at least in Spain, in the first half of the twentieth century should be considered as belonging organically to the fascist era, even if the regimes that promoted or hosted them were not technically fascist in a strict political and ideological sense, a kinship expressed in their ‘rooted modernism’.