Abstract
In his fifth novel, The Mysterious Flame of Queen Loana, the world renowned narrator semiotician directs his encyclopedic fiction once again to several levels of readers. In many ways similar to the case of Foucault's Pendulum Eco here directs his narration to a particular generation of readers. Underneath the beautiful illustrations that accompany this unusual and brilliant hybrid hypetextual historical fiction can be detected some postmodern neorealistic strategies in revisiting the fascist eras of the thirties and early forties. Eco's narration of cultural and political hegemony and his familiar treatment of intertextuality are examined along with his personal stories and the central and underlying motif of the novel: storing and retrieving memories.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
