Abstract
1. Introduction Part I. The Mirror as Title-Metaphor: 2. History of the mirror-title in England 3. A typology of works bearing mirror-titles Part II. Mirror-Conventions in Literature and Art: 4. The multiplicity of mirrors Part III. Originality: general conclusions: 9. The concept of originality 10. The historical dimension of metaphor, aesthetics and ideas: the age of the mirror Appendix Notes Indexical bibliography of primary references General bibliography.
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