Abstract

AbstractIn this essay I set forth the musical philosophy of Bertrand de Jouvenel, a topic that has not been previously explored. I focus on Jouvenel's literary background; his emphasis on the imagination; his insistence that metaphor is the basis of all thought; and his critique of the “amousia” of modern philosophy, that is, its lack of music. Jouvenel believes that this amousia has led to dangerous political consequences in the twentieth century, such as the aesthetic and psychological promotion of violence. After setting forth Jouvenel's account, I explore these consequences.

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