Abstract
Zeqirja Ballata (1943), a Kosovar composer, is in step with the works of his time, more precisely belonging to the postmodernist period. Throughout his musical opus, he showed consistency to the contemporary stylistic elements of the second half of the twentieth century. Among the 157 musical works by the Kosovar composer Zeqirja Ballata, this paper brings the results of the analysis of the musical language used in Fantasia rustica (for the left hand). The work in question is atonal, with dominant dissonance followed by short consonant bursts. Employing a qualitative research method, or analysis, the work was analysed including the following musical parameters: general and historical data of the piece, structure, linear expression, consonant structures, rhythm and its components, dynamics and synthesis of musical parameters in the process of concretization. The paper also contains notation tables and examples illustrating concretization moments.
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