Abstract
The world is plagued with plethora of social issues generated from the complexity of modern existence. The control of sources of raw materials, exploitation, production, and trade has polarised our world. This paper looked at the Niger Delta situation from an audio-visual angle as reflected in the film ‘Krakraye’ by Gentle Jack. The Niger Delta region and her people have been neglected in terms of developmental needs in the Nigerian state, hence, the youths resort to self-identification and resource control which is the problem being stated. The aim of this paper is to present this issue bare in an audio-visual manner. The objectives are to concisely chronicle the real situation from the emergence of the military in the Nigerian scene to the present. Theoretical framework was the analytical approach to cultural studies, while the research methodology would entail the qualitative approach enmeshed with visual impressions, still photographs from the film ‘Krakraye’, and from other graphic and audio-visual sources. Findings of this study show that it is deliberate to underdevelop the Niger Delta region, keep the people poor so they will be loyal and could easily be overcome by the majority tribes, Hausa, Yoruba and Igbo who have never spoken against injustice meted to the Niger Delta communities. Contributions to knowledge is that visual presentation has shown the true plight of the Niger Delta people in visual images. Recommendations are that a naturally endowed, rich industrial environment should not be neglected for peace and development to thrive; stealing of the people’s commonwealth brings about capital flight as those in government are afraid to show their wealth in Nigeria rather, they launder and invest these monies abroad. This paper critically assessed the reach of film in exposing social anomaly as the case of the Niger Delta people, allegorically.
 Key Words: Film, Niger Delta, youth, democracy, development
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