Abstract

The present paper deals with the mosaic pavements from Philippopolis which are known so far and that might be attributed to 6th c. CE. The topic is of interest because there is almost no information in the literature about the urban development of the metropolis, although it seems that the city gained huge prosperity especially from the first half to the middle of that century. As part of this prosperity, one should also regard the mosaic pavements that still preserve their importance as a medium of new ideas and religious requirements. The mosaic pavements discussed decorate both public and private buildings and reveal that the specifics of mosaic art in Philippopolis are to be attributed to both official Constantinopolitan initiatives, especially in the liturgical aspect, and also the tastes of local elites, as well as the craftsmanship of the local mosaic workshop. Taken together, these factors led to a variety of iconography, intertwined motifs, and colours, which make some of the mosaics unique so far in Late antique Thrace.

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