Abstract
AbstractWithin the African American literary tradition, several writers of the nineteenth and twentieth centuries have expressed concerns about the methods through which their work is categorized and/or read as part of the American literary canon. This essay traces the discussions and debates between preeminent writers and “leaders” within the African American community at‐large who have defined the practice of creative expression in diverse ways. By assessing the relationship between art and politics, the essay examines if the desire to create work that is inexcusably “political” is in direct opposition to intellectual and creative activity, or if both ideological frameworks can indeed exist simultaneously.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
