Abstract

ABSTRACTRomuald of Ravenna was one of the foremost reformers of the late tenth and early eleventh century, devoting his energy to establishing monastic communities that emphasised asceticism. After his death, he was celebrated for this work in a vita written by Peter Damian that described the conditions of the conversion of Romuald, who rejected the world after an encounter with St Apollinaris in the church of Sant’Apollinare in Classe outside Ravenna. Peter Damian’s detailed account of this space not only created a fitting location for the conversion to monastic life, but in its appropriation of the visual, textual and hagiographic landscape it would have invited his eleventh-century audience who entered Sant’Apollinare in Classe to share in the same type of experience as his monastic hero, Romuald, and to connect with Ravenna’s late antique patron saint directly.

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