Abstract
The publication of this volume, a product of the 4th international Medieval conference, “Medieval Europe in Motion, the Middle Ages: a Global Context” is a welcome opportunity to increase the momentum of study of 11th- to early 13th-century polychrome wood sculptures in Europe. While research on contemporaneous monumental stone sculptures and the distinctly smaller ivory statues has been widely disseminated, the inventory, stylistic and typological interrelation, as well as chronological clas...
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