Abstract
ABSTRACTDue to its equivocal character, the fall of Peking in 1937 was a historical moment that deserves a thorough revisit focusing on the city’s multifaceted structure. As a narrative strategy, “moment” aims at putting various spatial imageries of multiple events in a minimized temporal unit. This article focuses on two moments after the Marco Polo Bridge incident of July 7, 1937: July 29, when the Chinese troops withdrew from Peking, and August 8, when the Japanese troops entered the city. It reconstructs these historical scenarios by utilizing the reports of journalists, diary entries, and reminiscences, along with literary works to capture the moment of Peking’s fall. Using a “horizontal” perspective, this paper reveals Peking residents’ communal awareness and attempts to excavate nationalist elements from local experiences.
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