Abstract
From the mid-1870s Parisian streets saw a remarkable proliferation of large, colorful illustrated posters, advertising café-concerts, music halls, exhibitions, novels, shops, consumer goods, resorts, and others. From the mid-1890s the number of illustrated posters for myriad consumer goods increased vastly. This chapter examines the shifting, complex dynamics among art, technology, commerce, and ideologies that converged on the poster.KeywordsEntertainment VenueWhite ToothModern StyleCommercial RoleCircus PosterThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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