Abstract
DESPITE THE OPPRESSIVE PRESENCE in modern drama and theatre criticism of many highly progenitive terms — some the obvious product of hard-sell critical propaganda — it can possibly be argued that two principal directions have been taken in modern drama and theatre. The first of these is the concern with the art of the playas text (thus, in a sense, as literature): the exploration of literary, and rooted in the literary, various theatrical means of presenting new ideas and visions of human society and the human personality.
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