Abstract

Metrical interpretation of the important group of Middle English alliterative poems, of which Piers Plowman may be considered the type, has long been a subject of controversy. The present study aims, too hopefully perhaps, not at an entirely new hypothesis, but at harmonizing the two old theories in the light of recent general study of English metrics. As with so many efforts at peace-making, this may result merely in a three-cornered fight in place of a duel, so that the end may be only confusion worse confounded. We can, however, but try.

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