Abstract

Abstract In this article, I argue that a thorough analysis of literary multilingualism and code-switching needs to take their metalinguistic dimension into account. Many scholars have noticed multilingual authors’ tendency to frame code-switches with metalinguistic comments, but they are sometimes treated marginally, or as just one of the many functions of code-switching. My article argues that metalanguage is, in fact, a fundamental characteristic of literary multilingualism, and key to its interpretation. This is particularly evident when we look at how the contemporary Italian writers Laura Pariani, Silvana Grasso and Elena Ferrante construct their characters through linguistic biographies, and how they describe dialect use, bilingualism, language loss and shift and other collective and individual sociolinguistic processes. I also show that metalanguage needs to be analysed together with other tools used by authors to flag multilingualism: namely intratextual translations and peritextual elements (such as glossaries or notes), but also visual cues, such as italics.

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