Abstract
This article offers a detailed study of a twelfth-century copy of the works of the Roman poet Horace (Cologny, Fondation Martin Bodmer, MS Bodmer 89), and the extensive marginal and interlinear commentary added in the later twelfth or early thirteenth century. The commentary bears a relation to previously known scholia, ancient and medieval, but does not directly depend on any published source. After a survey of scholarship on the tradition of medieval commentary concerning Horace, the character of the new commentary is analyzed, along with that of some paratextual additions including poems, in imitation of Horatian lyric meter, and later marks of readership. The codex bears witness to medieval interest in Horace's lyric poems, which were not only read but also actively emulated. Substantial selections from the commentary and paratexts are also edited here.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.