Abstract
Richard Matheson explores the demography of vampirism in a hybridic last human on earth and vampire apocalypse novella, I Am Legend (1954). The survivor Robert Neville explores the legend and science of vampirism, grappling with the rhizomatic ontology of the gothic creatures; in turn, Matheson offers a dual portrait of monstrosity of the predator vampires and of Neville as a gothic hunter and slayer of vampires. Narratively, imagistically, and thematically, Matheson presents a Malthusian demographic dynamic (and struggle) as Neville deepens his understanding of vampirism, allowing him to refine his vampire-slaying techniques.
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