Abstract
Abstract: This essay focuses on the specific location and history of The Great House in Port-of Spain, Trinidad, to open out a Black Atlantic exposé of networks of imperial global domination, Indigenous genocide, and plantation slavery. The essay works through Audre Lorde's essay "The Master's Tools Will Never Dismantle the Master's House" and Aimé Césaire's Discourse on Colonialism to model how Black and Caribbean thinkers enable an antiracist critique of eighteenth-century studies that persists in disavowing its violent colonial histories and legacies.
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