Abstract
ABSTRACT This paper focuses on the function of the magic lantern, a seventeenth-century scientific invention with the ability to project frightening images painted on transparent slides, as a literary device intrinsically connected to the Gothic genre. Darkness, foul weather, animated portraits, eerie apparitions, crumbling abbeys and half-demolished tombs team with physics and optics in an intricate swirl of exchanges between literature and visual technology, still relevant today. These exchanges are vividly illustrated in Girona’s spectacular Museu del Cinema – Col·lecció Tomàs Mallol.
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