Abstract
Through the 2003 and 2014 protests in Hong Kong, this paper proposes using choreographic analysis for the study of social movements in terms of corporal movements. By looking at the organization of actions and creation of postures and gestures and all the movements driven by the mental force lyricism, choreographic analysis seeks to identify and articulate the infinite potential, realized and not, revealed in a revolution, that marks the latter as a singular moment of eternity that produces new thoughts. As the case of Hong Kong shows in the light of this method, the site of radical politics locates in the persisting colonial alienation that separates the people from the authority.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
