Abstract
ABSTRACT The lullaby “The Meadow Song” in Suzanne Collins’s The Hunger Games trilogy provides a narrative fulcrum and plays a vital role in reinforcing these novels’ thematic concern. However, extant criticism has not given due attention to its utopian function. Drawing upon Ernest Bloch’s philosophy of music and other critics’ theories on green utopia, this article intends to argue that the lullaby fulfills the utopian function of fueling Katniss’s and other rebels’ utopian imagination to fight for a better world of justice, equality, and freedom. It also posits that the green utopian community inspired by the lullaby in the last book of the trilogy functions not as an escapist pursuit, but as a micropolitical alternative in an era of global capitalism.
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