The <i>More Hispano</i> in the Polyphonic Passions of Mexico City

Abstract

Nine responsorial Passions composed in Mexico City in the early 17th century comprise a distinct tradition of the more hispano. This article briefly traces the more hispano Passion from its emergence in Andalusia through its transmission to New Spain to its appearance in works found at the Mexico City Cathedral and at the Convento de Nuestra Señora de la Encarnación. The Mexican Passions, including works by Antonio Rodríguez Mata and Luis Coronado, are catalogued and characteristics that distinguish them from the Andalusian tradition are identified. The circumstances in which these works were performed are considered for clues regarding their particular emphasis on the voices of women.