The Long History of the 2017 Spotify “Fake Music” Scandal

Abstract

Research Article| July 01 2020 The Long History of the 2017 Spotify “Fake Music” Scandal K. E. Goldschmitt K. E. Goldschmitt K. E. Goldschmitt is assistant professor of music at Wellesley College. Prior to Wellesley, Goldschmitt held research and teaching positions at the University of Cambridge, New College of Florida, and Colby College. They have published on Brazilian music, film music, the global media industries, circulation, and music technology. Their book, Bossa Mundo: Brazilian Music in Transnational Media Industries, was published by Oxford University Press in 2020. Search for other works by this author on: This Site Google American Music (2020) 38 (2): 131–152. https://doi.org/10.5406/americanmusic.38.2.0131 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation K. E. Goldschmitt; The Long History of the 2017 Spotify “Fake Music” Scandal. American Music 1 January 2020; 38 (2): 131–152. doi: https://doi.org/10.5406/americanmusic.38.2.0131 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2020 by the Board of Trustees of the University of Illinois2020 Article PDF first page preview Close Modal You do not currently have access to this content.