Abstract

Besides discussing such seminal images in the poetry of Daud Kamal as Gandhara art, the bridge, and bird migration, this essay explores solitude as a necessary accompaniment to Kamal’s creativity, as he sought, in “the translunar paradise of art”, “a cure for the cancer of loneliness”. This essay also examines the undiscerning critical reception of Kamal’s poetry, which notwithstanding belongs to the finest tradition of Islamic mystical poetry and is therefore destined to last.

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