Abstract
The Locarno Film Festival (LFF), founded in 1946 by film industry professionals and local tourism promoters, is reputed as an international hub for emerging cinema. Built apart from, or in opposition to, traditional commercial cinema, the Swiss event gave particular attention to Eastern European movies, to the point that the LFF has frequently been presented as the place where ‘Westerners discovered the talents of Eastern Europe’. However, the presence of these films in Locarno, whose characteristic was the absence of official support from the state, exacerbated Switzerland's anti-communism and led to the creation of a ‘national’ selection committee in 1962 to limit the programming of movies coming from the other side of the Iron Curtain. This article analyses how Swiss politics and ideological tensions conditioned the construction of the Locarno Festival's identity through the prism of the (non-)interventions of the federal state.
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