Abstract
Abstract The article considers the architectural works designed and realized in contemporary Serbian architectural practice in the context of questions and thinking about local-global but also of visible tendencies and dilemmas, that the architects deal with in smaller local environments like in Serbia, from the position of architectural historians, theoreticians and critics. The multi-layered, often vague double meaning and nuanced ties and interpretations of the mentioned relationships will be traced in the works of such important Serbian architects as I. Antić, M. Jovanović, B. Petrović, D. and M. Marušić, S. Krunić, I. Marić, B. Mitrović, I. Rašković, who were chosen in order to trace the line of development of the relationship between the local and global during 1950 ‒ 2000, the period which was also marked by turbulent social and political changes.
Highlights
The article considers the architectural works designed and realized in contemporary Serbian architectural practice in the context of questions and thinking about local-global and of visible tendencies and dilemmas, that the architects deal with in smaller local environments like in Serbia, from the position of architectural historians, theoreticians and critics
In addition to the marginalization of national values, the parallel trends of interweaving the global-international and local-traditional in activities of architects of different generations of the post-war Serbia can be traced through this very character of Serbian architecture as a whole
The architects of the younger generation who have appeared on the Serbian architectural scene in the post-modern period and whose architecture has encompassed a variety of trends and styles from the late twentieth and beginning of the twenty-first century have expressed main characteristics of the Belgrade school of architecture: disharmony in taking over the models of international architecture, trying to find their own way in expressing the architectural attitudes
Summary
The article considers the architectural works designed and realized in contemporary Serbian architectural practice in the context of questions and thinking about local-global and of visible tendencies and dilemmas, that the architects deal with in smaller local environments like in Serbia, from the position of architectural historians, theoreticians and critics.
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