Abstract
AbstractThe Lindisfarne Gospels (Cotton MS Nero D iv, ca. 715 AD) and two nearly contemporary manuscripts (Royal MS 1B vii and Add. MS 40618) held in the British Library have been analysed in detail by Raman microscopy in order to establish the palette of each. The blue pigment used on the Lindisfarne Gospels is shown not to be lazurite, as concluded in 1960 by visual examination of known pigments and those on the Gospels, but exclusively indigo. Of the Anglo‐Saxon and Insular manuscripts studied so far by Raman microscopy, the earliest found to include lazurite in its palette is Add. MS 40618, not on its still extant original miniature of ca. 756 AD, but on later additions of ca. 920 AD. The Insular triumvirate palette, which had been assumed to consist of orpiment, red lead and verdigris, was found also to include red ochre and vergaut (indigo admixed with orpiment) but not necessarily verdigris. The palettes of the manuscripts studied, as specified in existing literary sources, are not reliable, and careful in situ scientific analysis of the pigments present is essential to establish the identity of the latter and of any decomposition products present. Copyright © 2004 John Wiley & Sons, Ltd.
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